Title of article :
The study of Deleuzian Reading in Francis Bacon’s, Lucian Freud’s, and Frank Auerbach’s Paintings
Ardalani، Hossein نويسنده Department of Philosophy of Art; Science and Research Branch, Islamic Azad University, Tehran, Iran , , Salimi، Homayoun نويسنده Assistant Professor; Tehran University of Art, Tehran, Iran , , Akbari، Majid نويسنده Department of Microbiology, Molecular and Medicine Research Center, Arak University of Medical Sciences Akbari, Majid
Issue Information :
روزنامه با شماره پیاپی سال 2013
In Deleuzeʹs viewpoint, the problem of painting is presentation of sensation. But how one can generalize
Deleuzeʹs thought in the context sensation presentation among the painters? This research endeavors to study
three contemporary, friendly, close and figurative painters to know how Deleuzeʹs theory responds their works.
Art ontological philosophy is merely to improve a life sense. Art being lead us to feel things. Narrative
paintings are more to present concepts which are perceived throughout brain reason. Whereas, there are some
paintings which hinge on sensual perception. Painting is not to present visible issue, but it is presentation of
visibility; it is not to marinate some concepts in the mind, and then to seek for a language to transfer them, but
artist must deal with sensations explicitly and to apply for audienceʹs feelings, too. This paper studies three
painterʹs works in three sensations to be able to consider Deleuzeʹs thought.
Journal title :
Journal of Applied Environmental and Biological Sciences